Meet Eddie Munson’s Dad in This Excerpt from the New ‘Flight of Icarus’ Novel - Netflix Tudum

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    Meet Eddie Munson’s Dad in This Excerpt from the New ‘Flight of Icarus’ Novel

    Feel the “Munson Magic” in Stranger Things writer Caitlin Schneiderhan’s book, out Oct. 31.
    Oct. 31, 2023

Are you ready to meet Al Munson?

Tudum has your first look at Eddie Munson’s (Joe Quinn) estranged dad in an excerpt from Flight of Icarus, a Stranger Things prequel novel centered on the beloved character from Season 4. Written by Stranger Things writer Caitlin Schneiderhan, the new book hits shelves on Oct. 31.

Flight of Icarus takes fans along the Dungeon Master’s heroic journey, complete with all “the messy and uncomfortable decisions that led him to become the brave misfit we all know and love,” said Schneiderhan. One of the most rewarding parts of writing Flight of Icarus was “meeting the characters from Eddie’s past who — for better or worse — had a part in shaping who he is” — like his dad.

When Tudum spoke to Quinn last year, he revealed that he had a loose background for Eddie’s parents, who don’t feature in Season 4 as Eddie lives with his uncle Wayne (Joel Stoffer) in Hawkins’ Forest Hills Trailer Park. “I thought that his mum had maybe passed on or had left, and his dad was in prison,” said Quinn. “He was very estranged from his parents, and that brings up all the stuff that brings up for young people.”

Get a peek at the family resemblance in the excerpt below, “Munson Magic.”

On first glance, the place looks like any other run-down property out in the boonies. This part of the state is riddled with them, sprawling acres of land that nobody gives enough of a shit about to maintain. But this particular shithole features a warehouse with boarded-up windows and wide double doors, a generator large enough to run all of Hawkins, and a stockpile of power tools that would make Uncle Wayne salivate.

All the telltale signs of a chop shop. And chop shops run at night. Which means that right about now, as the clock ticks toward eleven, the upstanding members of society who run the place should be all tuckered out and ready for bed.

“You ready?” Dad asks.

The honest answer is no, I am not ready to rob a chop shop, but then I think about the demo tape that’s currently on its way in a padded envelope to some windowed, spotless office building on Sunset Boulevard. The sun probably doesn’t feel so harsh in California. “Yup,” I say. And I follow Dad out of the van and through the trees along the side of the road.

I’d thought he was joking the first time he’d mentioned this plan. I’m starting to realize that I have that reaction a lot when Dad tells me something, and that unless there’s a priest, a rabbi, and a sailor involved, he very rarely is. “We need a tow truck,” he’d said as we rummaged through the shelves at the War Zone, piling spike strips and coveralls into an oversize shopping cart. “A big one.” I figured that meant we’d be paying another visit to Reefer Rick or another one of Dad’s… associates. Since his buddies came in every flavor of crooked on the face of the earth, “oversize tow truck guy” didn’t seem like too big of a buy.

Put another point in the idiot column, I think, trudging along behind Dad. My dreams of “tow truck guy” had imploded pretty spectacularly the second Dad said that, for this errand, we’d be crossing state lines. “That’s a pretty shady way to start things off,” I’d said, loading a pair of pliers into the shopping cart.

But he’d just grinned at me. “It’s cooler in the shade, kid.”

The issue was, he’d explained, that tow trucks are hard to come by unless you have a wad of cash burning a hole in your pocket, and even then the authorities’ll take notice. Jacking one from a reputable mechanic isn’t a much better solution, especially if you’re trying to fly under the radar the way we are. No, there’s only one type of person guaranteed not to call the cops on a thief.

Other thieves.

“And it just so happens,” Dad had said as we’d pushed our purchases across the parking lot toward my waiting van, “I’ve got a line on a chop shop in Illinois that has exactly what we’re looking for.”

We emerge from the trees right on the property line. Dad has his eyes fixed on the warehouse’s padlocked barn doors, but I’m more preoccupied with the dingy trailer rusting into the grass a dozen yards away. This is where the two figures —  one man, one woman, both in grease-stained coveralls — had disappeared once the sparks and grinding in the warehouse had paused for the night. It’s only been about forty minutes since they slammed the door shut behind them, but I can already hear their snores filtering through the cracked windows. They’re sacked out.

Let’s just hope they stay that way.

Dad smacks my shoulder to get my attention. Then he’s trotting across the grass toward the warehouse. A beer can crunches under his boot, and the tall weeds are shushing loudly at the legs of his jeans. But there’s no falter from the snores in the trailer, and so I follow, keeping a step or two behind him until he stops in front of the padlock on the warehouse doors.

From one of the bottomless pockets of his leather jacket, Dad produces a couple long strips of metal. I keep one nervous eye on the distant trailer as he slips the picks into the padlock and gives them one twist, then another — and then the lock is clicking open, unlatching in the space of a breath.

“How are you so good at that?” I mutter.

“Guitar picks, lock picks.” He waves his hands, and the picks disappear. Munson Magic. “You figure out one, you figure out the other.”

“That’s bullshit.”

“Things can be bullshit and true at the same time.”

It takes both of us to open the warehouse doors. This time Dad is careful to be quiet, moving slowly and oiling hinges so that no wayward creak of metal gives us away. By the time we step into the dusty barn and prop the doors closed with a brick, the drops of sweat running down my neck have transformed into a river, and my T-shirt is soaked beneath my arms. I’m a mess.

And Dad looks fresh as a daisy. He’s got a crooked grin on his face, and there’s an unsettling moment where I realize I’ve seen it before — on myself, in the mirror, when I’ve just come offstage at the Hideout or finished running a crazy session at Hellfire. It’s a smile with an edge, with a bit of twisted heat.

“You bring that light for a reason?” Dad asks me. “Or is it just a pretty accessory?”

I roll my eyes and click the flashlight on. The beam cuts a dusty swath through the warehouse gloom, illuminating stacks of skeletal car carcasses piled three or four high. Workbenches jut at odd angles. The only clear route through this chaos is a path about six feet wide, which runs from the doors toward the back of the shop. Just large enough for a truck.

“Here,” Dad says. Sure enough, the waving beam of my flashlight has landed on a fragment of what can only be the tow truck’s hulking frame, and Dad trots around the driver’s side to peer in the window. “Check the wheels,” he orders over his shoulder.

I give him a mock salute. “Yes, sir.”

“Don’t be a punk. This is educational.”

I could argue, but this doesn’t feel like the place for it. Instead, I drop into a crouch, shining my flashlight into the wheel wells to search for the metallic glint of keys.

“No luck.” The wheels are bare. But Dad just snorts and snatches up a discarded car antenna.

“Munsons don’t wait on luck,” he says. “We make our own.” He shoves the antenna down into the window, and after a few seconds of jimmying, the door’s lock is popping open, just as smoothly as the padlock on the warehouse door.

“That a guitar pick thing too?” I ask.

“That’s intermediary.” Dad wrenches the truck door open. “Come here. I wanna see if you can jump all the way to advanced.” He slides up onto the bench seat. “We’re not swimming in time, kid,” he says when I hesitate. I resist the urge to stick my tongue out, and climb up next to him.

“All right,” he says. Using a screwdriver, he pries open the plastic panel beneath the steering column. It lands across my knees, and I shove it aside. “Start her up.”

The bottom drops out of my stomach. “Dad, I can’t —”

“Sure you can. We’ve been over this. Or are you telling me you don’t remember?”

Of course I remember. It had been my tenth birthday present from Dad: car-boosting lessons. I hadn’t needed to ask around at school to know that this wasn’t a widespread coming-of-age tradition.

“One day, you’re gonna need a set of wheels,” Dad had told me, his eyes solemn. I’d taken this as gospel at the time — of course I’d need a car, everyone needed a car. It hadn’t occurred to me until later that not everyone got a car by stealing someone else’s.

“Silly me, I guess I forgot to practice.” I try to laugh through the heavy boulder sinking in my gut. “How ever will I get to Carnegie Hall?”

“I ain’t joking, Eddie,” Dad says. “I don’t work with guys who don’t pull their weight. You want a cut of this job, you’re gonna help out. So I’ll say it again: Start her up.” He shoves a pocketknife into my hand. “Notice how that wasn’t a question.”

Reprinted from Stranger Things: Flight of Icarus by Caitlin Schneiderhan. Copyright © 2023 by Stranger Things™ / Netflix. Published by Random House Worlds, an imprint of Random House, a division of Penguin Random House LLC.

You can buy Flight of Icarus now.

After you finish reading, re-live Eddie’s reign as the president of the Hellfire Club in Stranger Things Season 4, only on Netflix.

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Although Eddie Munson became an instant fan favorite when Season 4 premiered, Joe Quinn, thankfully, wasn’t losing his mind on a daily basis. “I don’t really feel like I’m in whatever’s happening or I’m in the middle of it at all,” he tells Tudum. “I don’t know, it’s fucking weird, but it’s great.”
Tina Rowden/Netflix
Quinn’s audition for Eddie was his beloved cafeteria scene. “I put a bit of eyeliner on, I borrowed my mate’s jacket and I stuck some gum in my mouth, thinking that might be kind of, I don’t know, cool?”
“It would be lovely if there was a world in which [they could] be a pretty uncouth couple at Hawkins High — that I think might shake things up a little bit,” Quinn says of a potential romance between Eddie and Chrissy (Grace Van Dien).
Eddie and Chrissy’s (Van Dien) exchange in the woods is the scene Quinn is most proud of because it peels back Eddie’s bold exterior, revealing the warmth underneath. “I just wanted to show someone that felt real. And what was so fun was doing that with someone that looked so extraordinarily kind of odd — to me, anyway,” he says. 
Quinn reigns as president and Dungeon Master of the Hellfire Club, but he only recently played Dungeons & Dragons for the first time at Geeked Week.
Head makeup artist Amy L. Forsythe had no idea that so many of Eddie’s (Quinn) tattoos foreshadowed him shredding “Master of Puppets” in the finale. “Pretty rad that it lined up that way, though,” she tells Tudum. She gave Eddie bat tattoos because they’re “pretty heavy metal,” and she had already read the episode where Steve (Joe Keery) gets attacked. “The Puppet Master tattoo was my nod at the control Vecna has over his victims,” she says.
Eddie (Quinn) lords over the end of his sadistic D&D campaign with his fellow Hellfire Club “freaks” (and Corroded Coffin band members played by Gwydion Lashlee-Walton, Trey Best and Grant Goodman) by his side.
Eddie beats himself up all season for running scared after witnessing Chrissy’s (Van Dien) gruesome murder, and for his part, Quinn thinks Eddie “could be nicer to himself.” He tells Tudum, “I don’t know about you, but that would shake me up.  Being confronted with the blame of that is just doing him no favors whatsoever. He’s in a really tight spot and doing the best he can.”
“Joe brought his own thing to it,” says Matt Duffer of Quinn’s Eddie. “He’s the kind of guy whose every take is different — he was finding it as we went. I’m so happy that people are responding so well to Eddie because we and all the other actors on set fell in love with Joe.” 
Eddie (Quinn) and “Red” — as he calls Max (Sadie Sink), his neighbor in Hawkins’ trailer park. 
Tina Rowden/Netflix
“Honestly, we didn’t fully know who Eddie was 100% until we saw Joe’s audition tape,” Matt Duffer tells Tudum. “None of the actors could do [the cafeteria speech] in a way where you like this guy, where you didn’t want to just punch him. Right?  And Joe, I don’t know how he did it. He was the only one. There was literally no other option. Joe just pulled it off.”
Tina Rowden/Netflix
Eddie (Quinn) likens Dustin’s (Gaten Matarazzo) request to leave Skull Rock to following him into Mordor. “But the Shire is burning, so... Mordor it is,” says Eddie in the scene. As a Lord of the Rings fan, Quinn says, “I was very excited when I saw that Mordor line.”
Eddie (Quinn), Robin (Maya Hawke) and Nancy (Natalia Dyer) not-so-merrily rowing their boat across Lover’s Lake in search of Watergate.
Nancy (Dyer), Steve (Keery), Robin (Hawke) and Eddie (Quinn) defeat the Demobats when they first face Vecna’s (Jamie Campbell Bower) minions in the Upside Down.
The Duffers agree that the scene in the Upside Down between Eddie (Quinn) and Steve (Keery) is really sweet. “They’re not quite on the same page. [Steve] doesn’t know who Ozzy Osbourne is, but there’s still this mutual respect, which I like about that scene,” Ross Duffer says.
“What’s sad about [Eddie’s] narrative is that the people who get to know him love him, and the people who don’t have judged him horribly — just because of the way he dresses and just because of his interests,” says Matt Duffer.
Quinn didn’t “go away and write a fucking novella of a backstory” for Eddie. But he did have a loose background for Eddie’s parents: “I thought that his mum had maybe passed on or had left, and his dad was in prison,” says Quinn. “He was very estranged from his parents, and that brings up all the stuff that brings up for young people.”
Tina Rowden/Netflix
“Everyone worked really hard on it for a long time. What I find so satisfying about it is seeing the other Stranger Things stories and how they all live together,” Quinn says of watching all of Volume 1 after the cast all filmed in separate locations. “Because we were making our Stranger Things, and then there were two other Stranger Things being made at the same time.” 
“I think he’s brave and trying to be brave and allowing himself to not always be brave, and that’s OK,” says Quinn of Eddie’s courage. 
“I think, as human beings, we’re all very multifaceted,” Quinn says. “There are situations we’re in where we feel like we can be very assertive, brave, bold and command space. And then there are situations where you don’t feel like that, and you can feel the opposite, but you’re still the same person.”
“In all of those great huge-scale battle sequences, there’s always that calm before the storm,” Quinn says. “Like Lord of the Rings and Star Wars, there’s always that preparation before the big battle that is so satisfying as a viewer to watch because you know that something mad is going to happen —  and something definitely mad does happen in this one.”
In Volume 1, Eddie (Quinn) suggests that the gang go to War Zone for ammo and steal an RV. Quinn notes that “at some point, there’s a shift that happens in his head, and he’s determined to not be this scared little boy and try to be proactive.”
Matt Duffer tells Tudum that “there was going to be more of a Steve-Eddie rivalry. We just didn’t have time.” Ross Duffer adds, “Also, we’re just like, ‘He’s so charismatic that it’s like, how can you not like Eddie?’"
“Harrington’s got her. Don’t ya, big boy?” quips Eddie in Episode 8, a line improvised by Quinn. 
To Quinn, all the readying to fight Vecna felt like a nod to Battle Royale. “That scene is very Henry V when they’re preparing before the Battle of Agincourt. Yeah, yeah, I’m a horrifically pretentious British actor. I have to crowbar a Shakespeare reference in there. Lock me up.” [laughs
“There will be no more running from Eddie the Banished."
Eddie (Quinn) and Dustin (Matarazzo) are ready for bat-tle.
In the season’s initial D&D game, Eddie asks his party, “Do you flee Vecna and his cultists or do you stand your ground and fight?” Quinn considers that line “the motif that runs through his arc, really. It’s about confronting one’s problems. It’s about redemption, about bravery. All of those seeds are planted in those earlier episodes and they bear fruit later on.”
Quinn found out about Eddie’s death when he received the script one early morning at 3 a.m. “I was in Europe somewhere, and I read it and obviously couldn't sleep because I just thought, ‘How the hell have they come up with that?’ And then later that morning, I went and bought a guitar and manically started practicing.”
Metallica’s “Master of Puppets” was originally released on March 3, 1986, around the same time Season 4 of Stranger Things is set. “I think we figured that out pretty close to the shoot day, if not on the shoot day, which was hilarious,” says Quinn. To him, the song feels like a “smack in the face,” building as the “perfect engine through that whole sequence.”
Quinn has played guitar since primary school, but the Duffers didn’t know that when they cast him. It was only during the pandemic that they happened to email Quinn to ask if he played. “I was like, ‘I mean, I can play guitar. I’m no virtuoso, but I’ll be able to get away with looking like I play guitar.’ I hope,” recalls Quinn. “They said, ‘OK, good to know.’” Quinn didn’t hear anything else on the matter from the brothers until he received the script for Episode 9.
“There was a backing track when we were playing on the day, but I was playing along to it,” Quinn says, before bashfully adding, “I don’t know if anyone would want to hear it.”
As Eddie tears the pick off his necklace and rips, he dedicates his epic “Master of Puppets” guitar solo to Chrissy. “If he's able to avenge her, this is his way. So, I imagine there's a catharsis there,” Quinn says. “And it’s just fucking badass, isn't it?”
Quinn says he’s sure “there’s a Dungeons & Dragons thing” in Dustin (Matarazzo) and Eddie’s battle garb that resembles the sword and spear of a mossy paladin.
“It’s just so heartbreaking, isn’t it?” Quinn says of Eddie’s end. “I think it would’ve meant the world to him in those moments [that Dustin came back for him]. Before we pass on, God willing, you don’t want to be alone, do you? You want someone to get you there.”
“As always, I just run up to the [Duffer] brothers and go, ‘Use that one. Don't use that one.’ They both go, ‘Fuck off,’” Quinn jokes of his reaction to filming multiple takes of his death scene with Dustin (Matarazzo).

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